BEIJING BUBBLES - Punk and Rock in China's capital

a film by Susanne Messmer and George Lindt

Germany, 2007, 82 minutes

Two showings! Back to back!

Plus after both screenings punk rock DJ Eamon McGrath will give a short talk.

Thursday March 29th, 2007 at 7 pm and 9 pm

Metro Cinema

Citadel Theatre Complex 9828-101A Avenue

$10.00 regular admission and $8.00 for students, seniors, members

the following write up is from the filmmakers' press release

Beijing Bubbles is a documentary about the punk and rock scene in Beijing, a portrait of five bands in the capital of China. It is also a movie about being different in a country which is the most developing in the world today and in which everybody seems to be obsessed with social advancement and the accumulation of prosperity.

With Beijing Bubbles, Berlin filmmakers Susanne Messmer and George Lindt go on a ramble through the musical underground that is rarely recognised in China. The protagonists of this subculture naturally and spontaneously give them insights into their everyday lives. They ask them over, invite them to their rehearsal room or out to dinner, or actually take them to their parents? homes.

These musicians are melancholics, dreamers and disillusionists. They are self-confident loners and outsiders banking on their creativity and their concentration on music. They are not part of a rebelling youth movement, neither are they interested in political protest. But they react precisely on China today. With their idea of life they brace themselves against the pressure to do well and the compulsion to buy. They also appear infectiously authentic to the western observer.

Beijing Bubbles attends five Beijing bands in their daily lives: the punk band Joyside, the girl band Hang On The Box, the blues band Sha Zi, the rock band New Pants and the band T9 who combine rock with traditional Mongolian music. Despite their diverse music styles, they share the same attitude: They have retired from the world in which they've grown up. They say: It's no use to be a hard working man" (Joyside), We need a quiet mood to think about music" (Hang On The Box), We don't want to be a part of this society" (Sha Zi), "We are still Underground" (New Pants) and I have isolated myself for a long time" (T9). For the German filmmakers the encounters with them were like a kind of journey into their own past: "These musicians' passion and sense of humour reminded us of times in which punk in Europe was quite a big deal. We felt as if punk had moved to the other side of the globe. We grew up with punk, we experienced how it became an empty fashion ? and we were touched to find out that its strange eccentricity, its holy seriousness and its lovely attitudes found a new right to exist in China."

The numerous contacts grew out of a domino effect: At the show of one band the directors would meet the members of another band, which they then might also accompany. Out of the very personal terms with these individualists developed a film which is very close to lives of its protagonists. Kind of a video diary it gives insight into a counter culture hardly anyone would assume in an authoritarian state like the People's Republic of China.

Between the flying visits with the bands Beijing Bubbles delivers impressions of today's China and thus of the surroundings in which these musicians don't seem to fit in and which they also oppose to: the camera straggles through financial districts, cramped streets at rush-hour time and glistening shopping malls, but also through the slums on the outskirts, where people struggle to survive by collecting rubbish or trading on the streets. Restaurants and karaoke bars where China's youngsters enjoy themselves with saccharine mainstream pop contrast with parks where revolutionary songs are played. Beijing thereby is representative for the whole of today's China ? depicting growth and development, but also enormous social discrepancies within extraordinary political circumstances.

Beijing Bubbles is a personal and intimate document of China's subculture. Stylistically it ranges also in a punk rock spirit. Due to the fact that most of the shots in public had to be done without filming permits, the often abrasive camera work is used as a stylistic device. In form and content Beijing Bubbles catches a glimpse of life and society in Beijing behind common clichés. The genuine pictures fall smoothly into place with the fresh sound of these five bands, which arrestingly accompanies the film. The result is an almost tangible impression of a counter-culture that forms tiny islands in the hustle and bustle of the big city.